Isabelle Huppert is one of the most famous French actresses. In this portrait she reflects in voice over on her movies and her craft. She seems to like characters that are neurotic, dramatic and even dangerous. Huppert considers every character a means to discover things about herself.

A remake of a 1940s Mexican film, rumored to be The Other (1946).

In this program, directed by Jean Pierre Devillers, actor Isabelle Huppert and director Claude Chabrol reflect on their special bond as collaborators and friends. It aired on French television on December 23, 1998.

The crimes and tragedies that tear apart one family seem overblown in the telling, yet this psychological drama about the miseries of one French policeman is compelling throughout. Jean (Pierre Arditi) is a cop and also a failed novelist who was abandoned by his father, brother, and sister after his mother died. The trio move to Paris where they set up an art scam that nets them considerable cash -- something Jean begins to figure out when he joins them for a family reunion. Little by little, he learns that his father is an expert forger, his stepmother's art gallery seems to be involved in the scam, his brother is a derelict and into drugs, his stepmother is a hooker in addition to all of this, and his sister runs an exercise gym for keeping prostitutes in shape. Things get worse -- just when everything seems bad enough, the stepmother is murdered and it is up to Jean to find the killer.

In 1971, in the small town of Shirley Falls, in Maine, the odd and lonely secretary Isabelle Goodrow raises her teenager daughter Amy alone. She has only two friends in her job among her gossiper colleagues. When her overprotected daughter is seduced by her mathematic teacher Peter Robertson, the world of Isabelle falls apart. She becomes lost and loses her confidence on Amy, spoiling their relationship. Their bond gets tied again when Isabelle discloses her inner secrets from the past to Amy.

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Isabelle aux Dombes [Isabelle in La Dombes] — Maurice Pialat’s first film, an 8-minute silent work from 1951

This movie tells the common fate of the meat workers in the big industrial slaughterhouses. At the beginning, we think that we are not going to stay. But we change only our post, department. We want a normal life. A house was bought, children were born. We obtine, we lean. We have pain in the daytime, we have pain at night, we have pain all the time. We hold on all the same, until the day when we do not hold on any more. The joints break, nerves also.

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A cartoon film about the whole heterogeneous mixture of Canada and Canadians, and the way the invisible adhesive called federalism makes it all cling together. That the dissenting voices are many is made amply evident, in English and French. But this animated message also shows that Canadians can laugh at themselves and work out their problems objectively.